One day, right before Mary made a mistake, Laura said, “Do you know what I hate the most?”
They were at her apartment, a place Mary felt she didn't visit nearly enough. You see, there was this bridge. Laura lived in San Francisco. Mary lived in the East Bay. You wouldn't think it would be that big of a deal for either one of them to drive to the other's home, but somehow it had always felt huge. This hadn't started with Laura's illness. It started from the moment Laura had moved here several years into their friendship. Mary came to visit her more. It was more glamorous being in the city. Laura knew her turf. There were no surprises. But she could drive to Laura's apartment, and they could spend some time together, and she could exclaim over the people. How could people from one side of a bridge dress so differently from the other? How did the food taste so much better? Why are your cafes nicer? These are questions Mary would ask, and then she would go home.
Laura said, “What I hate the most is when people say that I'm looking great.”
They were lying on her bed, their heads propped up with pillows. The TV had been moved from the livingroom to the bedroom a while ago. There was a pile of DVDs on the table. They were taking a break from their marathon.
Mary nodded and thought that she had been about to say that all day. Laura had lost the weight she had gained from previous medications. She was back to her petite self. Her body looked like her own again. She had found some cute turbans. Her skin glowed.
“I want to say to them that things aren't what they seem,” she said. “I want to say you don't know what's going on inside.” She smiled and looked at Mary. “I actually want to bare my teeth after I say that, maybe growl a little. Let them think I can puncture their flesh.” She sipped her black tea. “They only think they know why they're scared to be around people with cancer.” She drank some more liquid. “I've been watching way too many horror films,” she said.
Laura had started watching these movies on a lark. They were easy to find on cable. She had never seen them before. Late at night, when she couldn't sleep, the Candyman, the Rings, all the Nightmares on Elm Streets were there for the taking. It was something Mary could no longer do. As a child, she had been obsessed with scary movies. Even though they gave her nightmares, she felt compelled to ask for the ticket, to go sit in the dark, and then stay up all night, spooked by sounds and imaginings. And it wouldn't just be for one night. At random moments throughout her life, alone in the dark, the film projector in her head would begin to play every scary scene she had ever seen starting from childhood. There seemed no way to erase that film, no way to stop it running, but there no longer seemed to be a reason to add to it.
When Mary and Laura first became friends, they both lived near the lake that they had first walked around, looking for geese, a bird that was never too hard to find, especially since they had decided that they no longer wanted to migrate. This was a damn good home. Even the geese knew it. After that first walk, Mary and Laura met there regularly. Sometimes, when Mary thought of those walks, she imagined them as an old time movie, one of those Fred Astaire productions. In her mind, their steps were as wondrous as his dance on the ceiling, two skinny girls, one small, one taller, a female Mutt and Jeff, hurling words out as fast as their legs could move, swinging their arms, and laughing.
“Why couldn't the air hold the words?” Mary thought. “If I could only hear them now, I would transcribe them.”
She did this for a living from her home, a studio apartment with a corner of the room reserved for her work. People gave her tapes, and she typed out what they said. It was an odd way to make money, but it seemed to suit her. She was exact. She cared about commas. She learned all kinds of things from listening to their voices that she then had to keep to herself.
The other day, while cleaning her room, she came upon a tape that Laura had made for her years ago. “Mary and Laura's Radio Debuts,” she had written as a title. On Side A, Mary heard the familiar voices of Click and Clack from Car Talk, and there she was, earnestly talking about her Toyota Tercel and the clicking sound she heard, and how then it would lose all of its momentum and stop dead right on the spot.
“It's the clutch,” they told her. As she listened, she marveled at how gentle they were with her, telling how how much it would cost, bringing up the idea that it might not be a worthwhile investment for an older car with significant mileage.
“But Mary loves this car” -- was it Click or Clack who said this? After years of listening to their program, Mary still could not tell the two apart. “She needs to try to save it.” On this, they all agreed.
On the other side of the tape, Mary heard the dulcet tones of the host of a local radio show broadcast live on Saturday mornings. It was a good walk away from Laura's San Francisco apartment. She would meet Laura there, and then they would climb up and down several hills to the studios, where she would swoon at the host, and on their walk home, Laura would repeat in the kindest way that friends do when they really try to to burst a bubble, “But could you really imagine him at your apartment? What do you honestly think he would think of that green carpet?”
An improvisational acting group was there on that day. They asked if anyone would volunteer their datebook. Laura gave hers up in a flash. They asked her name. “Laura,” she heard her friend say in such a faraway voice, as if she was already in a distant country, rather than several rows up, sitting right next to her. And they acted out a week of events that Laura had written in her book. Listening to it now, Mary thought, “Did we truly spend money and time on “Dick Tracy” Did we actually plan such an outing?” They walked around the lake. They went to a party hosted by one of Mary's former bosses. At one moment, the actress playing Laura got confused and started calling herself Mary. Then in the skit, she called Mary up, “This is Laura,” she announced. “I've decided to use my own name again.”
When the skit was over, Mary played the rest of the tape. She kept thinking that surely, Laura was on Car Talk, too, and that at the next radio show, she had certainly brought her datebook in, and they had done her life, at least what that week of her life would like from the perspective of an improvisational acting group. Didn't they both do that?